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TypeListAuthor Title[further info]SeriesVolNoYearPagesStatus
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1. Marshall, Robert L.Bachs Skizzenarbeit und Kompositionsprozeß. Fest-Vortrag, geh. zum 48. Bachfest der NBG Nürnberg 1973. 1973 31p
2. Marshall, Robert L.Luther, Bach, and the early reformation chorale. [Transcript of the author's Kessler Reformation lecture, October 17, 1995] Atlanta: Pitts Theology Library, 1995. iv, 15p. (= Occasional publications of the Pitts Theology Library) 1995 iv, 15p
3. Marshall, Robert L.; Marshall, Traute M.Exploring the World of J. S. Bach: A Travelor's Guide [by] Robert L. Marshall and Traute M. Marshall. Published in cooperation with the American Bach Society. - Urbana, Chicago and Springfield: University of Illinois Press, 2016. xxx, 245p. ISBN 978-0252081767 (pbk), 978-0252040313 (ebook) 2016 xxx, 245p
4. Marshall, Robert L.Truth and Beauty: J. S. Bach at the Crossroads of Cultural History. Bach 21 2 Summer 1990 3-14
5. Marshall, Robert L.Bach and Mozart: Styles of Musical Genius. Bach 22 1 Spring-Summer 1991 16-32
6. Marshall, Robert L.Bach at Mid-Life: The Christmas Oratorio and the Search for New Paths. Bach 43 1 2012 1-28
7. Marshall, Robert L.; Marshall, Traute M.Bach Family Sites. Bach 51 1 2020 70-121
8. Marshall, Robert L.; Marshall, Traute M.Wenig bekannte Dokumente zu J. S. Bachs Ohrdrufer Zeit. Übersetzung: Stephanie Wollny. BachJb 101 2015 155-165
9. Marshall, Robert L.Zur Vollständigkeit der Arie 'Mein Jesus soll mein alles sein' aus Kantate BWV 75. BachJb 51 1965 144-147
10. Marshall, Robert L.Anmerkungen zur späteren Geschichte der alten Bach-Ausgabe: ein kleines bibliographisches Rätsel. BachJb 64 1978 229-231
11. Marshall, Robert L.; Rifkin, JoshuaIn Memoriam: Alfred Dürr (March 3, 1918-April 7, 2011). [Marshall, pp.[1]-3; Rifkin, pp.3-4] http://www.americanbachsociety.org/Newsletters/BachNotes15.14.pdf BachNotesABS 15 Fall 2011 1-4
12. Marshall, Robert L.Redeeming the St. John Passion... And J. S. Bach. http://www.americanbachsociety.org/Newsletters/BachNotes17.8.pdf BachNotesABS 17 Fall 2012 5-11
13. Marshall, Robert L.A Report on the 2019 UMass Amherst Bach Symposium. BachNotesABS 31 Fall 2019 16-17
14. Marshall, Robert L.Father and Sons: Confronting a Uniquely Daunting Paternal Legacy. BachPerspectives 11 2017 1-23
15. Marshall, Robert L.Bach and Mozart's Artistic Maturity. BachPerspectives 3 1998 47-79
16. Marshall, Robert L.On the origin of Bach's Magnificat: a Lutheran composer's challenge. BachStud 1 1989 3-17
17. Marshall, Robert L.Johann Sebastian Bach. [Headings: The Repertoire; Bach's Instruments; The First Decade, ca. 1703-1713: Apprenticeship and Early Mastery; The First Synthesis: 1713-1723; The Second Synthesis: Leipzig, 1726-1741; The Final Decade] [ce]18cKeyboardM 1994 68-123
18. Marshall, Robert L. (ed.)Eighteenth-Century Keyboard Music. New York: Schirmer, 1994. xvi, 443p. ISBN: 0-02-871355-9. - Prentice Hall, 1994, 384p. (= Studies in Musical Genres and Repertories) - 2nd edn in paperback from Routledge, 2003. ISBN: 0415966426. [ce]18cKeyboardM 1994 xvi, 443p
19. Marshall, Robert L.Bach and Luther. Chapter 7. [ce]AstonMagnaAcademy 2009 229-241
20. Marshall, Robert L.Bach the Progressive: Observations on His Later Works. Repr. from Musical Quarterly, lxii/3 (1976), pp. 313-357. [ce]BaroqueComposers 2011 399-443
21. Marshall, Robert L.Postscript [to 'Bach the Progressive'] Repr. from The Music of Johann Sebastian Bach. The Sources, The Style, The Significance, New York: Schirmer Books (1989), pp. 54-58. [ce]BaroqueComposers 2011 459-463
22. Marshall, Robert L.Tempo and Dynamic Indications in the Bach Sources: A Review of the Terminology. [ce]BHSTercentenaryEssays 1985 259-276
23. Marshall, Robert L.Organ or 'Klavier'? Instrumental Prescriptions in the Sources of Bach's Keyboard Works. [ce]JSBOrganist 1986 212-239
24. Marshall, Robert L.Prologue. The Century of Bach and Mozart as a Music-Historical Epoch: A Different Argument for the Proposition. [ce]Marshall 2019 1-8, 261
25. Marshall, Robert L.Bach, Johann Sebastian. [Repr from Encyclopaedia Britannica, 15th edition, II, pp.556-561] [ce]Marshall 1989 3-20
26. Marshall, Robert L.Young Man Bach: Toward a Twenty-First-Century Bach Biography. Chapter 1. [ce]Marshall 2019 9-29, 261-266
27. Marshall, Robert L.Bach the Progressive: Observations on His Later Works. [Repr. from MQ, lxii (1976), pp.313-357] (pp.54-58 is a postscript) [ce]Marshall 1989 23-58, 295-303
28. Marshall, Robert L.The Notebooks for Wilhelm Friedemann and Anna Magdalena Bach: Some Biographical Lessons. Chapter 2. [ce]Marshall 2019 30-37, 266-268
29. Marshall, Robert L.Bach and Luther. Chapter 3 [ce]Marshall 2019 38-55, 268-269
30. Marshall, Robert L.Redeeming the St. John Passion--and J. S. Bach. Chapter 4. [ce]Marshall 2019 56-64, 269-270
31. Marshall, Robert L.Bach's Orchestre. [Repr. from EarlyM xiii (1985), pp.176-179] [ce]Marshall 1989 59-63, 303
32. Marshall, Robert L.Bach's Keyboard Music. Chapter 5. [ce]Marshall 2019 65-113, 270-276
33. Marshall, Robert L.On Bach's Universality. [Repr. from Martin Heckscher et al (ed.), The Universal Bach: Lectures Celebrating the Tercentenary of Bach's Birthday. Fall 1985. Philadelphia: American Philosophical Society, 1986, pp. 50-81] [BWV 78] [ce]Marshall 1989 65-79, 303-304
34. Marshall, Robert L.'Composing Scores' and 'Fair Copies'. [Repr. of 'Introduction' in Cantata Autographs in American Collections, New York: Garland publishing 1986, pp. vii-xv] [BWV 131, 10, 33, 171, 112, 97, 9, 118] [ce]Marshall 1989 83-110, 304-305
35. Marshall, Robert L.The Sketches. [Repr. of 'Musical sketches in J. S. Bachs cantata autographs', in Studies in music history; essays for Oliver Strunk, ed. Harold S. Powers, Princeton, N.J.; Princeton U.P, 1968, pp.405-427] [BWV 117, Anh. 2, 232, 29, 183, 198, 133, 215, 39] [ce]Marshall 1989 111-129, 305-308
36. Marshall, Robert L.The Minimalist and Traditionalist Approaches to Performing Bach's Choral Music: Some Further Thoughts Chapter 6. [ce]Marshall 2019 114-120, 276-277
37. Marshall, Robert L.Truth and Beauty: J. S. Bach at the Crossroads of Cultural History. Chapter 7. [ce]Marshall 2019 121-129, 277-278
38. Marshall, Robert L.Bach at Mid-Life: The Christmas Oratorio and the Search for New Paths. Chapter 8. [ce]Marshall 2019 130-147, 278-279
39. Marshall, Robert L.The Autograph Score of Herr, gehe nicht ins Gericht, BWV 105. [Repr. of 'Commentary', Johann Sebastian Bach, Herr, gehe nicht ins Gericht (BWV 105). Faksimile nach dem Partiturautograph der Deutschen Staatsbibliothek Berlin mit einem Nachwort hrsg. von Robert Marshall. Leipzig: Zentral-Antiquariat der DDR; Neuhausen-Stuttgart: Hänssler, 1983, pp. 5-7] [ce]Marshall 1989 131-142
40. Marshall, Robert L.The Genesis of an Aria Ritornello: Observations on the Autograph Score of 'Wie zittern und wanken,' BWV 105/3. [Repr. from Studies in Renaissance and Baroque music in Honor of Arthur Mendel. - Kassel [u.a.]: Bärenreiter; Hackensack, NJ: Joseph Boonin, 1974, pp.165-182] [ce]Marshall 1989 143-159, 308-312
41. Marshall, Robert L.Bach at the Boundaries of Music History: Preliminary Reflections on the B-Minor Mass and the Late-Style Paradigm. Chapter 9. [ce]Marshall 2019 148-155, 279-280
42. Marshall, Robert L.Father and Sons: Confronting a Uniquely Daunting Paternal Legacy. Chapter 10. [ce]Marshall 2019 156-173, 280-284
43. Marshall, Robert L.On the Origin of the Magnificat: A Lutheran Composer's Challenge. [Repr. from Bach Studies, ed. Don Franklin. Cambridge: Cambridge Univ. Press, 1988, pp.3-17] [ce]Marshall 1989 161-173, 312-313
44. Marshall, Robert L.Johann Christian Bach and Eros. Chapter 11. [ce]Marshall 2019 174-185, 284-286
45. Marshall, Robert L.The Mass in B Minor: The Autograph Scores and the Compositional Process. [Repr. of 'Beobachtungen am Autograph der h-moll-Messe: Zum Kompositionsprozeß J. S. Bachs', MKirche, l/5 (1980), pp. 230-239] [ce]Marshall 1989 175-189, 313-314
46. Marshall, Robert L.Bach and Mozart: Styles of Musical Genius. Chapter 12. [ce]Marshall 2019 186-196, 286-289
47. Marshall, Robert L.The Autograph Fair Copies of the Fantasia per il Cembalo, BWV 906. [Repr. of 'Introduction', Johann Sebastian Bach, Fantasia per il Cembalo. BWV 906. Facsimile Edition. Kassel [u.a.]: Bärenreiter, 1976, pp. [2-7]] [ce]Marshall 1989 193-200, 314-316
48. Marshall, Robert L.Mozart and Amadeus. Chapter 13. [ce]Marshall 2019 197-211, 289-292
49. Marshall, Robert L.The Compositions for Solo Flute: A Reconsideration of Their Authenticity and Chronology. [Repr. from JAMSoc, xxxii (1979), pp.463-498] Postscript, p.225. [ce]Marshall 1989 201-225, 316-328
50. Marshall, Robert L.Bach and Mozart's Artistic Maturity. Chapter 14. [ce]Marshall 2019 212-237, 292-294
51. Marshall, Robert L.'Authentic' Performance: Musical Text, Performing Forces, Performance Style (A Review Essay). [Repr. of 'Reviews of Records. Johann Sebastian Bach: The Complete Cantatas.' [Vols. 1 and 2 of the Telefunken Series, Nikolaus Harnoncourt and Gustav Leonhardt, conductors], MQ, lix (1973), pp.145-159] [ce]Marshall 1989 229-239, 328-331
52. Marshall, Robert L.Mozart's Unfinished: Some Lessons of the Fragments Chapter 15. [ce]Marshall 2019 238-251, 294-296
53. Marshall, Robert L.'Editore traditore': Suspicious Performance Indications in the Bach Sources. [Repr. of 'Editore traditore: Ein weiterer 'Fall Rust'?', in Wolfgang Rehm (ed.), Bachiana et alia Musicologica. Festschrift Alfred Dürr zum 65. Geburtstag am 3. März 1983. Kassel [u.a.]: Bärenreiter, 1983, pp. 183-191] Postscript, p. 254. [ce]Marshall 1989 241-254, 331-333
54. Marshall, Robert L.Had Mozart Lived Longer: Some Cautious (and Incautious) Speculations. Epilogue (ossia Postmortem). [ce]Marshall 2019 252-259, 296-298
55. Marshall, Robert L.Tempo and Dynamics: The Original Terminology. [Repr. of 'Tempo and Dynamic Indications in the Bach Sources: A Review of the Terminology', Peter F.Williams (ed), Bach, Handel, Scarlatti Tercentenary Essays. Cambridge: Cambridge Univ. Press 1985, pp. 259-276] [ce]Marshall 1989 255-269, 333-337
56. Marshall, Robert L.Organ or 'Klavier'? Instrumental Prescriptions in the Sources of the Keyboard Works. [Repr. of 'Organ or 'Klavier'? Instrumental Prescriptions in the Sources of Bach's Keyboard Works', in George B. Stauffer and Ernest May (eds.), J. S. Bach as Organist. His instruments, music and performance practices. - London: B. T. Batsford Ltd., 1986, pp. 212-239] [ce]Marshall 1989 271-293, 337-339
57. Marshall, Robert L.Bach and Mozart: Essays on the Enigma of Genius. Rochester, NY: University of Rochester Press; Woodbridge: Boydell & Brewer, 2019. xxi, 331p. ISBN: 978-1-58046-962-3 [ce]Marshall 2019 xxi, 331p
58. Marshall, Robert L.The Music of Johann Sebastian Bach. The Sources, The Style, The Significance. New York: Schirmer Books, 1989. xxiii, 375p. [ce]Marshall 1989 xxiii, 375p
59. Marshall, Robert L.Bach and Mozart: Styles of musical genius. [ce]PsychoanalyticExplorations 2 1993 153-169
60. Marshall, Robert L.The Eighteenth Century as a Music-Historical Epoch: A Different Argument for the Proposition. Colloquy. ColMSymposium 27 1987 198-205
61. Marshall, Robert L.Redeeming the St. John Passion: How modern sensitivity has clouded Bach's masterpiece. Commentary Jul-Aug 2012 36-39
62. Marshall, Robert L.Bach at the Boundaries of Music History: Preliminary Thoughts on the B-minor Mass and the Late Style Paradigm. ContextBachStud 8 2018 297-303
63. Marshall, Robert L.Orgel oder 'Klavier'? Instrumentenangaben in den frühen Quellen der Bachschen Tastenmusik. [cr]Leipzig1985 1988 303-314
64. Marshall, Robert L.Zur Echtheit und Chronologie der Bachschen Flötensonaten: Biographische und stilistische Erwägungen. [cr]Marburg1978 1981 48-71
65. Marshall, Robert L.On Bach's Universality. [cr]Philadelphia1985 1986 50-81
66. Marshall, Robert LewisThe Compositional Process of J. S. Bach. A study of the Autograph Scores of the Vocal Works. Princeton Univ. in 2 vols. 1968, 660p. (Ann Arbor: Univ. Microfilms. 1969.) diss. 1968 660p
67. Marshall, Robert L.Bach's 'Orchestre'. EarlyM 13 2 May 1985 176-179
68. Marshall, Robert L.Belated Thoughts on Bach's Chorus: A Reexamination of the Minimalist and Traditional Approaches to performing the choral music of Bach. EarlyMAmer 15 4 Winter 2009 24-27
69. Curry, Robert; Gable, David; Marshall, Robert L. (eds.)Variations on the canon: Essays on music from Bach to Boulez in honor of Charles Rosen on his eightieth birthday. Rochester,NY: University of Rochester, 2008. x, 375p. ISBN: 1-58046-285-8; 978-1-58046-285-3. (= Eastman studies in music, 58) EastmanStudM 58 2008 x, 375p [fs]Rosen80
70. Marshall, Robert L.The Notebooks for Wilhelm Friedemann and Anna Magdalena Bach: Some Biographical Lessons. [fs]AlvinJohnson 1990 192-200
71. Marshall, Robert L.Bach's 'tempo ordinario:' A Plaine and Easie Introduction to the System. [fs]Brainard 1996 249-278
72. Marshall, Robert L.Editore traditore: Ein weiterer 'Fall Rust'? [fs]Dürr65 1983 183-191
73. Marshall, Robert L.The Genesis of an Aria Ritornello: Observations on the Autograph Score of 'Wie zittern und wanken' BWV 105/3. [fs]Mendel 1974 165-182
74. Marshall, Robert L. (ed.)Studies in Renaissance and Baroque music in Honor of Arthur Mendel. Kassel [u.a.]: Bärenreiter; Hackensack, NJ: Joseph Boonin, 1974. 392p. ISBN: 3-7618-0412-1 (Bärenreiter); 0-913574-26-0 (Boonin). [fs]Mendel 1974 392p
75. Marshall, Robert L.Truth and Beauty: J. S. Bach at the Crossroads of Cultural History. [fs]Scheide 1993 179-188
76. Marshall, Robert L.Wenn Mozart länger gelebt hätte. Eine wissenschaftliche Fantasie. [fs]Schulze65 1999 270-281
77. Marshall, Robert L.Musical sketches in J. S. Bachs cantata autographs. [incl. facs of BWV 117/1, Anh.2, 248/31, and 65/1] [BWV 105, 29, 117, Anh.2, 248, 65, 183, 39, 215, 198, 133] [fs]Strunk 1968 405-427
78. Marshall, Robert L.Bach the progressive: Observations on his later works. GarlandLibHistWestM 6 1985
79. Marshall, Robert L.The Nathan Bequest: Payment Receipts in the Hand of Johann Sebastian Bach, 1746 to 1748 (With a Fragment for the Year 1749 in the Hand of His Son). [gs]Moldenhauer 2000 81-85
80. Marshall, Robert L.Bach's 'choruses' reconstituted. HiFi 32 10 1982 64-66, 94
81. Marshall, Robert L.J. S. Bach's Compositions for Solo Flute: A Reconsideration of their Authenticity and Chronology. JAMSoc 32 3 Autumn 1979 463-498
82. Marshall, Robert L.Beobachtungen am Autograph der h-moll-Messe: Zum Kompositionsprozeß J. S. Bachs. Übersetzung: Traute Maass Marshall. MKirche 50 5 1980 230-239
83. Marshall, Robert L.How J. S. Bach composed four-part Chorales. MQ 56 2 Apr 1970 198-221
84. Marshall, Robert L.Bach the Progressive: Observations on His Later Works. MQ 62 3 Jul 1976 313-357
85. Marshall, Robert L.Toward a Twenty-First-Century Bach Biography. Texts and Contexts. MQ 84 3 Fall 2000 497-525
86. Marshall, Robert L.Bach's Chorus: A preliminary reply to Joshua Rifkin. MTimes 124 1679 Jan 1983 19-22
87. Marshall, Robert L.Johann Sebastian Bach. Neue Ausgabe Sämtlicher Werke. Serie I · Band 19. Kantaten zum 9. und 10. Sonntag Nach Trinitatis. Kritischer Bericht. Leipzig: VEB Deutscher Verlag für Musik; Kassel [u.a.]: Bärenreiter, 1989. 255p. [Ed.-Nr.: BA 5060-41] NBA 1 19 1989 255p
88. Marshall, Robert L. (ed.)Kantaten zum 9. und 10. Sonntag Nach Trinitatis / Johann Sebastian Bach. Kantaten zum 9. Sonntag nach Trinitatis: Herr, gehe nicht ins Gericht, BWV 105; Was frag ich nach der Welt, BWV 94; Tue Rechnung! Donnerwort, BWV 168. Kantaten zum 10. Sonntag nach Trinitatis: Schauet doch und sehet, ob irgendein Schmerz sei, BWV 46; Nimm von uns, Herr, du treuer Gott, BWV 101; Herr, deine Augen sehen nach dem Glauben, BWV 102. Hrsg. von Robert Marshall. - Leipzig: VEB Deutscher Verlag für Musik; Kassel [u.a.]: Bärenreiter, 1985. xii, 276p. Ed.-Nr.: BA 5060. (= Johann Sebastian Bach. Neue Ausgabe Sämtlicher Werke. Hrsg vom Johann-Sebastian-Bach-Institut Göttingen und vom Bach-Archiv Leipzig. Serie I: Kantaten. Band 19) NBA 1 19 1985 xii (6p facs), 276p
89. Emery, Walter; Marshall, Robert L.Bach, Johann Sebastian. NEncyclBritannica 2 1979 556-561
90. Marshall, Robert L.Bach 2000: Tue Rechung! Keynote address to American Bach Society Biennial Meeting, Washington, D. C., April 7-9, 2000. [p]ABS_Washington Apr 2000
91. Marshall, Robert L.The Genesis of an Aria Ritornello: Observations on the Autograph Score of J. S. Bach's 'Wie zittern and Wanken', BWV 105/3. A paper given at the Greater New York Chapter meeting of the AMS in October, 1971. [p]AMS_GreaterNewYork Oct 1971
92. Marshall, Robert L.Towards a Chronology of J. S. Bach's Sonatas and Partitas for Solo Flute. A paper given at the Midwest Chapter meeting of the AMS on November 18-20, 1977 at Northwestern University. [p]AMS_Midwest Nov 1977
93. Marshall, Robert L.Bach's Tempo ordinario: A Plaine and Easie Introduction to the System. A paper read at the New England Chapter of the American Musicological Society on 3 April 1993 at Tufts University. [p]AMS_NewEngland Apr 1993
94. Marshall, Robert L.A Lutheran Composer's Challenge: The Genesis of Bach's Magnificat. A paper read at the New England Chapter meeting of the American Musicological Society on 26 September 1987 at the Mount Holyoke College. [p]AMS_NewEngland Sep 1987
95. Marshall, Robert L.Organ or 'Klavier'? Instrumental Prescriptions in the Early Sources of Bach's Keyboard Music. A paper read at the AMS / CMS / SEM / SMT Vancouver Annual Meetings, 7-10 November 1985. [p]AMS_Vancouver Nov 1985
96. Marshall, Robert L.Bach's Tempo ordinario: A Plaine and Easie Introduction to the System. PerformPractReview 13 1 2008 1-33
97. Scheide, William H.; Marshall, Robert L.; Marissen, Michael; Wolff, ChristophArthur Mendel and the World of J. S. Bach. Lecture given at 'Bach and Mendel': A Special Symposium in Celebration of the Centenary of Professor Arthur Mendel and the Sixtieth Anniversary of The Bach Reader, Saturday, November 19, 2005 at the Princeton University. [p]Mendel60BR Nov 2005
98. Marshall, Robert LewisThe Compositional Process of J. S. Bach. A study of the Autograph Scores of the Vocal works. 2 vols. Princeton, NJ: Princeton Univ. Press, 1972. xv, 271p.; 189p. ISBN: 0-691-09113-7. (= Princeton Studies in Music, 4) PrincetonStudM 4 1972 xv, 271p; 189p
99. Marshall, Robert L.Bachs h-Moll-Messe. Zur Quellensituation und Überlieferung. SchrRIBachAkadStuttgart 3 1990 48-67
100. Marshall, Robert L.Beobachtungen am Autograph der h-Moll-Messe. Zum Kompositionsprozeß J. S. Bachs. SchrRIBachAkadStuttgart 3 1990 68-82
101. Marshall, Robert L.Bachs h-moll-Messe. Zur Quellensituation und Überlieferung. SommerAkadJSBach 1981 2-12
102. Marshall, Robert L.Beobachtungen am Autograph der h-moll-Messe zum Kompositionsprozeß J. S. Bachs. SommerAkadJSBach 1981 13-21
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